Muslim Women Visual Artists Congregating in Cyberspace: A Study of IMAN and MWIA.     Journal of Women of the Middle East and the Islamic World  ( Hawwa) , 13, 3 (2015): 297-322.

Muslim Women Visual Artists Congregating in Cyberspace: A Study of IMAN and MWIA.

Journal of Women of the Middle East and the Islamic World (Hawwa), 13, 3 (2015): 297-322.

The Veiled Muslim Woman as Subject in Contemporary Art: The Role of Location, Autobiography, and the Documentary Image.     Implicit Religion , 16, 4 (2014): 387–412.  

The Veiled Muslim Woman as Subject in Contemporary Art: The Role of Location, Autobiography, and the Documentary Image.

Implicit Religion, 16, 4 (2014): 387–412. 

A Short History of the (Muslim) Veil.     Implicit Religion,  16, 4 (2014): 413–441.

A Short History of the (Muslim) Veil.

Implicit Religion, 16, 4 (2014): 413–441.

Bans on Muslim Facial Veiling in Europe and Canada: A Cultural History of Vision Perspective.      Social Identities: Journal for Study of Race, Nation and Culture,  19, 6 (2013): 775-793.

Bans on Muslim Facial Veiling in Europe and Canada: A Cultural History of Vision Perspective.

 Social Identities: Journal for Study of Race, Nation and Culture, 19, 6 (2013): 775-793.

Discours alternatifs du voile dans l’art contemporain     Sociologie et sociétés , XLI, 2 (2010): 299-325.

Discours alternatifs du voile dans l’art contemporain

Sociologie et sociétés, XLI, 2 (2010): 299-325.